Odilon Redon
French Symbolist Painter, 1840-1916
Bertrand-Jean Redon, better known as Odilon Redon (April 20, 1840 ?C July 6, 1916) was a Symbolist painter and printmaker, born in Bordeaux, Aquitaine, France. Odilon was a nickname derived from his mother, Odile.
Redon started drawing as a young child, and at the age of 10 he was awarded a drawing prize at school. At age 15, he began formal study in drawing but on the insistence of his father he switched to architecture. His failure to pass the entrance exams at Paris?? Ecole des Beaux-Arts ended any plans for a career as an architect, although he would later study there under Jean-L??on Gerôme.
Back home in his native Bordeaux, he took up sculpture, and Rodolphe Bresdin instructed him in etching and lithography. However, his artistic career was interrupted in 1870 when he joined the army to serve in the Franco-Prussian War.
At the end of the war, he moved to Paris, working almost exclusively in charcoal and lithography. It would not be until 1878 that his work gained any recognition with Guardian Spirit of the Waters, and he published his first album of lithographs, titled Dans le R??ve, in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled, À rebours (Against Nature). The story featured a decadent aristocrat who collected Redon's drawings.
In the 1890s, he began to use pastel and oils, which dominated his works for the rest of his life. In 1899, he exhibited with the Nabis at Durand-Ruel's. In 1903 he was awarded the Legion of Honor. His popularity increased when a catalogue of etchings and lithographs was published by Andr?? Mellerio in 1913 and that same year, he was given the largest single representation at the New York Armory Show. In 1923 Mellerio published: Odilon Redon: Peintre Dessinateur et Graveur. An archive of Mellerio's papers is held by the Ryerson & Burnham Libraries at the Art Institute of Chicago.
In 2005 the Museum of Modern Art launched an exhibition entitled "Beyond The Visible", a comprehensive overview of Redon's work showcasing more than 100 paintings, drawings, prints and books from The Ian Woodner Family Collection. The exhibition ran from October 30, 2005 to January 23, 2006. Related Paintings of Odilon Redon :. | Madame Odilon Redon in Left Profile | Pegasus | The Raven | Polyphem | The Valkyrie | Related Artists: Charles-Amedee-Philippe van Loo (25 August 1719 -15 November 1795) was a French painter of allegorical scenes and portraits.
He studied under his father, the painter Jean-Baptiste van Loo, at Turin and Rome, where in 1738 he won the Prix de Rome, then at Aix-en-Provence, before returning to Paris in 1745. He was invited to join the Academie Royale de Peinture et de Sculpture in 1747, and that year he married his cousin Marie-Marguerite Lebrun, daughter of the painter Michel Lebrun (died 1753).
Among his brothers were the painters François van Loo (1708-1732) and Louis-Michel van Loo (1707-1771).
Jean-Baptiste Camille Corot (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. Alfred Thompson Bricher1837-1908
Alfred Thompson Bricher (born in Portsmouth, New Hampshire on April 10, 1837; died in Staten Island, New York on September 30, 1908) was a painter associated with White Mountain art and the Hudson River School.
He began as a businessman in Boston, Massachusetts before becoming a professional painter. He studied at the Lowell Institute when not working. He also studied with Albert Bierstadt, William Morris Hunt, and others In 1868 he moved to New York City and in the 1870s primarily did maritime themed paintings.
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